Recording Arts & Show Production Faculty

Chris Jay has been a professional audio engineer for over two decades. He got his start in the entertainment industry in 1995 working with Sublime on the first Warped Tour as their merchandise representative and stagehand. After the tour, Lee ”Scratch” Perry invited him to work as an assistant in the studio on the album “Lee Perry vs Sly & Robbie.” That time in the studio was what drove him to dedicate his career to audio engineering. Since then, he has worked on many albums ranging in genre from blues, punk, hardcore, and reggae. In various capacities, he has worked with a wide array of popular artists such as Outkast, Busta Rhymes, Missy Elliot, LL Cool J, Trick Daddy, Cash Money, and The Beach Boys. He also works for Electronic Arts as an Audio Artist handling commentary and sound design for Madden and NBA Live.

When Dave was 19, he moved from the suburbs of Philadelphia, PA to Los Angeles, CA to work for Americorps and to see what LA could offer. One morning, his roommate woke him up. “Hey, a friend of mine is working on a film and they need production assistants,” he said. “If you can catch a bus and be there today by 9, you’ll have the job.” Needless to say, Dave caught the bus. After that movie wrapped, he moved on to a few more Hollywood projects, ultimately working as a story producer on a nationally-syndicated reality game show. Having found a career that he loved, he returned home to Pennsylvania to learn the basics of filmmaking at Temple University. While interning for a Philadelphia-based animator, Dave met a producer who got him started as a location sound mixer. He quickly realized that his love of music recording and acoustics could be translated into a career in sound for film. Since then, he has worked on a wide array of projects as a sound editor, camera operator, and director for clients such as Hulu, Nickelodeon, and Food Network. A natural innovator, he is always looking for ways to surpass expectations and challenge himself. His interests lie in directing documentaries and creating immersive binaural sound experiences. Dave would love to work on more science fiction pieces, and hopes to someday invent acoustical levitation.

At the age of 8, Freddy started learning how to play the saxophone and later on, the piano. By age 12, he knew he wanted to work behind the scenes making it all happen. Freddy’s career started in New York in the mid 90s in live sound and live TV.  For the last 20 years, he has done live audio for Good Morning America, The Daily Buzz, Court TV, TNA Wrestling, The Golf Channel, etc. Currently, he is still freelancing as a live sound engineer and teaching Recording Arts and Show Production at F.I.R.S.T. Institute. 

John LaRosa has worked as an audio engineer since 1999. His career spans from studio work where he has worked with many artists in multiple genres, as well as doing live sound at Hard Rock Live Orlando and other venues around the Central Florida area. He also works as a boom operator, sound designer, and voiceover editor for short films, testimonials, and documentaries. John has over 10 years of experience in education as an instructor and program director. He currently is the program director for the Recording Arts and Show Production program. The part about working in education that is most appealing to John is how he can have a positive impact on a student’s life by helping them understand what path is best for their career.  He sees every student as a different opportunity to motivate and inspire them to turn their passion into a career.

John started his career in the audio industry in 2004 after graduating from A.R.T.I. He then worked at Hard Rock Live fulfilling multiple roles as stagehand, stage setup and breakdown for live productions. He also worked with independent musicians, delivering post production and audio services to artists, dancers and other talents which helped him to expand his knowledge in the industry. Later, he was given the opportunity to do voice over production, audio recording for video post production. This opportunity lasted 10 years, producing a significant amount of audio content for web games, audio books and bilingual voice overs. Prior to joining F.I.R.S.T. Institute, he worked in production of accessibility content and video descriptions for television which were focused on people with visual disabilities.

Since graduating from ARTI in 2008, Josh has made a name for himself in the Orlando theatre community. The fast paced and ever changing world of musical theatre has kept his interest and allowed for him to expand his skill set beyond audio to include lighting and projection mapping as well as set construction and general stagecraft. Amidst it all he never lost the passion for audio and loves to challenge himself with larger and larger shows. 

Coming soon!

Michael Cochran began his journey through the world of music as a toddler in Indiana, banging on a two-octave organ. His career started off with his bachelor’s degree in music composition from the University of Florida, which led his studies to Europe where he continued his music education at the Conservatory de Musica in Rome. Michael has studied and worked alongside amazing composers and orchestrators, which solidly broadened his knowledge of composing musical scores for film and television as well as live show productions. After scoring and conducting for various orchestras, he naturally launched his career as a Producer and Musical Director for live stage shows and music artists. In the studio where he now spends most of his time, Michael works closely with his artists’ individuality while producing their tracks, performance, vocal style and sound – being ahead of the curve on the pulse of today’s music. Michael has worked with Beyonce, Miley Cyrus, Janet Jackson, Alicia Keys, Hong Kong Disney, Disney Cruise Lines, Euro Disney, Disney on Ice, and many more. In 2016, Michael garnered a nod on the official Grammy ballot in the Record of the Year category for the song, “Without You” with his artist, Chaz Robinson. Michael is currently on the Producer’s Panel for The Florida Music Festival, and is judging and teaching master classes in music production around the world.

Rhaelee’s audio experience spans from multiple aspects of the music industry. She received two audio engineering degrees at IPR College of Creative Arts in Minneapolis. Since then she’s worked with the likes of Prince, KT Tunstall, Andrew McMahon, Quinn, and many more. She worked as a lead engineer for Creation Studios alongside well known hit makers like Paul Peterson, John Fields, and Steve Wiese. As her career took shape, she started her own business called the Jill of All Trades. This allows her to set up her own hydraulic staging and run sound for festivals of any kind. She’s done many discussion panels on women in audio too, including an NPR bit called Audio Queens. She not only makes audio happen in the studio or on stage, but also as a singer songwriter with her own original music.

Steven was born and raised in Orlando, Florida. He graduated from Valencia College with a Bachelor of Science in Electrical and Computer Engineering Audio and Electro-Acoustical Systems. Steven has been working in the audio visual field for 15 years and he has worked on countless live productions and a few albums over the years. He has had the opportunity to work on shows for The Beach Boys, Michael Bolton, The Charlie Daniels Band, Paul Anka, Kenny G, and so many more. Steven spent his year in 2016 touring as the Production Manager with a musical, Assisted Living: The Musical. For fun Steven spends his time playing and listening to music as well as building and designing his own custom audio equipment. Steven has been playing Piano since the 7th grade and also plays guitar bass and drums. Steven has always had a passion for music and loves to share his passion with the world.