The Digital Filmmaking and Video Production program is designed to teach students all aspects of high-definition cinema and video development, production, and broadcast. From basic classes all the way through advanced, students will receive hands-on education using up-to-date technology found in the field and used by professionals worldwide for any type of production.
We cover each stage of production in blocks where students progress through more advanced projects and processes in each. In each course, students will be given projects to develop their skills as they would apply them in the real world.
F.I.R.S.T. Institute students are graded and held accountable for each and every course they encounter. Consistent drills and quizzes keep students active and interested in the information given by the instructor. F.I.R.S.T. Institute’s main objective for the program is simple: to provide the finest education by exposing students to the very things that inspire them to be successful in the career field known as Digital Filmmaking and Video Production
Prerequisite: Basic Mac and Internet competencies. High School level English or higher.
Delivery Methodology: Campus = 100% Campus
Average Class Size: 16 Students
Upon successful completion of the program, graduates obtain a Diploma.
Thirty-Nine (39) Weeks – 1014 Clock Hours / 91.26 Academic Quarter Credit Hours
811 Hours / 81.11 Academic Quarter Credit Hours – Instruction 203 / 10.15 Academic Quarter Credit Hours – Lab
Students will cover the fundamental techniques and concepts of digital video, editing principles, and visual storytelling. The concept of visual storytelling will be explored and analyzed within various media projects to demonstrate the importance of constructing a fully developed idea using moving images. The course will instruct the process of video editing through the development of several media projects and footage assets.
There is an emphasis on footage sequencing with story continuity, media management, narration, and industry terminology. More time will also be dedicated to the importance of sound in the post environment and its subtlety in keeping the viewer grounded to the images onscreen. Classes will explore simple animation techniques, and overall, the basics of motion graphic design. Learning to animate, alter, and composite media using various tools including the use of optional plug-ins, is paramount in the process and workflow for every motion graphic professional.
There will be an emphasis on how text works in motion graphics through multiple in class exercises starting with a logo design project. Footage captured from greenscreen productions will come to life with scene compositing. Customizing particle effects and other more advanced concepts will also be covered through additional exercises and projects.
DFVP 102 – Digital Editing and Visual Effects
•Editing Techniques
• Visual Storytelling
•Visual Effects
In Commercial Production, students will break from the conventions of traditional modes of visual storytelling to explore short-form, interactive, and digital-media creation methods. The primary focus will be on the format of commercials.
As post-production unfolds, students will begin editing the projects that were shot during this course. They will utilize the post-production concepts that they have learned to date such as scene transitions, time and space perception, tempo, sound effects, and editing with music and mood changes to enhance their final projects.
DFVP 103 – Commercial Production
• Product Commercial Project
• Narrative Commercial Project
• Social Media Project
In Music Video Production, students will develop and produce an advanced project with a focus on the music video. A music video project will help students understand the principles of shooting uncontrolled action and how to work with real clients.
At this level, classes also have a working knowledge of advanced editing techniques including editing on the beat, color correction, sound effects and applying musical compositions.
DFVP 104 – Music Video Production
• Music Video Project 1
• Music Video Project 2
• Live Music Performance Project
In this course students will explore the history of episodic production. This course will focus on the various forms of television production. Students will learn the principles of episodic script writing, story guide creation, and character development.
DFVP 106 – Episodic
• Story Guide Project
• Television Script
Students will learn the fundamentals of live video production and streaming by using up-to-date technology for all show needs. Students will be prepared to function independently or as part of a production team in the preparation and production of live shows for both traditional and web-based broadcast, as well as corporate presentations.
In this course, students will learn the technical aspects of streaming software, as well as studio equipment and continue learning proper signal flow for use in studio, stage, and remote-control rooms. They will learn specific camera, lighting, and production techniques unique to each of these live show realms, as well as the many different career paths within these industries.
DFVP 107 - Live Video Productoin
• Live Stream Project
• Live Talk Show Project
• Live Music Performance Project
Students will learn the essentials of color theory and apply these concepts in professional colorist program DaVinci Resolve. Practical filmmaking techniques like color balancing, correction, grading, and continuity will all be learned through hands-on work in the program’s node-based editing system.
Students will also use Davinci Resolve to learn enhanced aspects of audio post-production, diving into the concepts of voiceover, ADR, Foley arts, sound effects, and sound design. Each of these concepts in color correction and audio post-production will then be applied to further enhance the student’s portfolio projects.
DFVP 108 – Color Grading
• Color Balance Project
• Color Grading Project
• Color Separation Project
